Santa militarized? Let's lighten up ..

Reading about some “children’s advocates” claiming that Santa is being “militarized” because he’s escorted by Canadian and U.S. fighter jets while flying to deliver his toys to good girls and boys triggered a few emotions.

On Christmas Eve, before the advent of radar on television, we used to listen to radio reports of Santa flying in from the North Pole.

There was a radio on the counter in our kitchen and we would sit at the table, sipping hot chocolate and eating fresh-baked cookies that would be left for Santa.

If we were lucky, though, and it had snowed, we would enjoy homemade snow cream that Mom had made.

An announcer for the radio station – WDEL out of Wilmington, Del. – would break in to the programming (usually Christmas music, her favorites were Brenda Lee’s “Rockin’ Around the Christmas Tree” and Bobby Helms’ “Jingle Bell Rock”) with updates. We lived across the Delaware River from Wilmington so when he said NORAD (North American Aerospace Defense Command) radar showed Santa was approaching, we knew it was time to go to bed.

We didn’t think anything about the fighter escort except it was like an honor guard for Santa.

And, by the way, regarding these so-called “advocates,” what children are they advocates for and who appointed them?

My kids have done quite well, thank you, and I believe so have millions of us over the years – before we realized we didn’t have “advocates.”

Granted, there are situations where similar groups and associations are needed. Such as Child Advocacy Centers to care for child victims and church-based groups and nonprofit organizations for needy children.

But, come on. Lighten up a little.

Or I’ll have to get my G.I. Joes and show you what militarized is really about.

(Reprinted from The Athens News Courier)

'Three Days at Foster' an eye-opening film

“It’s for real, there is one here.”

That was an eye-opening line in the documentary “Three Days at Foster.”

The “one” refers to Wendell Hudson, the first black basketball player at the University of Alabama, when he was eating in the dining hall.

The film tells the story of integration in the Tide’s athletic program, referencing Foster Auditorium, where former Gov. George Wallace made his famed stand in the “schoolhouse door.”

Foster was also where the basketball team played and students registered for classes.

The writer/director/producer of the film is Athens native Keith Dunnavant. He brought his “little film back to Athens” last week with a showing in Athens State’s Standidge Center Ballroom.

“Foster is a monument to the power of change,” he said.

The “first day” is Wallace’s choreographed stand; the “second day” is the story of Danny Treadwell, the first black player at a predominantly white school – Huntsville’s Butler High in the early 1960s – during the state basketball championship at Foster; and the “third day” is when former Tide running back Wilbur Jackson brings his daughter to the reunion of the 1973 team. Jackson was the first black player to sign a football scholarship with Alabama.

Dunnavant isn’t a stranger to compelling stories. He is a veteran journalist – that’s hard for me to say since he was a stringer for me in 1979 when I was the sports editor at the old Huntsville News and he was barely in high school. Along with his newspaper background, he’s written and edited magazines and books.

His credits include biographies of football icons Paul “Bear” Bryant (“Coach”) and Bart Starr (“America’s Quarterback”) and two other classics about the sport, “The Missing Ring” and “The Fifty-Year Seduction.”

“Three Days” is his first foray into film and it was an 18-month-long project.

It premiered this year, was an official selection of Birmingham’s Sidewalk Film Festival and garnered second place in the documentary category at the All Sports Los Angeles Film Festival.

Key players in the film are the five black players who walked on at Alabama in 1967 when nearly every other team in the SEC was segregated. The group included Dock Rone, the first black player to suit up for the Tide.

“The walk-ons had never been on camera,” Dunnavant said. “This was compelling.”

And, truth be told, so is the film.

(Reprinted from The Athens News Courier)